To this end, the word of his father brought hope to many and Jesus 's criticism of the customs of his people reflected what many were beginning to feel too but were afraid to say.
For his troubles Jesus found himself hounded by both the empire and his own people until finally, he was brought to trial and sentenced to die on the cross as would a common criminal.
I am lost there swimming in and out of the present to the past.
Then I am a boy again and I awake to Joseph, my father, already working hard below. My mother is Mary. Even after these years together she seems not to have changed. Her face is angelic, serene, while her will is iron. I see her through a man's eyes, but I am just a boy.
I am to be a carpenter, just like my father, shaping the wood into beauteous, living, wonderful things. I will take the naked rough soul placed before me and mould it, transform it into a thing of beauty.
I am a carpenter and my father is a god, whose skilled hands do all, that I so want to do. I stand beside him and act out each of the movements he makes. I have some wood before me. I too select a piece, turning it from one way to the other as Joseph does. I select another, then another until there is a pile, just like his.
He stands there smiling his wise smile while I await his judgement. He draws me to him then takes each piece from his pile and explains the characteristics of that wood that made it a part of his work and what part it would play when his work is finished.
I stand before my own pile. It is like our games. The games we play as children, when we select the friends we want to play alongside us. Each is chosen because he is favoured as a friend, not because of the role he can play.
My pile of wood is like that. The pieces are beautiful and are my friends, but they will never come together in the way my father's will.
I hear my friends outside, calling me.
From the temple we hear the sounds of the merchants chanting out their wares, each vying for the little money the people have brought with them.
We pick ourselves up and wander around past the walls to the entrance. The steps before us lead to the extent of marble which is the floor of this great place. The stench of so many people assaults our senses while the hollow sounds that had come to us outside are a pandemonium within this closed place.
The running continues as each of us threads himself through the milling crowd. Our destination is at the front of the temple, to a place that is elevated above the rest. There have been many speakers who have stood before our people and spoken of great things from this place.
We take turns at speaking to the unheeding groups below us and pretend that we are commanding them. Some people turn and listen to us while others only laugh and tease us. I feel a sense of wonderment when it is my turn, and for a moment it seems that everyone is stopped and listens to me. That is just a fleeting moment and passes quickly.
We soon tire of our game and run scrambling beneath the stalls, looking for something, anything that might have fallen, that we could take with us as we leave.
There are five of us today. Sometimes there are more and other times less. We are all ten years old, going on eleven. We have played together ever since my father brought us here from the land where I was born.
Then there is another trail, obviously not often travelled as the still growing grass along its route testifies.
We are quieter now, almost hushed in an effort to move as stealthily as possible through the canopy of date palms and olive trees.
We come across a narrow opening in the rock wall before us. We wait a little, watching listening, ready to run if need be, but there is hardly a sound.
Slowly we press ourselves through the gap and along the passage beyond. The dust we stir up begins to cling to our clothes in the close heat there, making us too, smell like the mules and goats that have passed before us.
On the other side, the sun beats relentlessly upon us as a gusting dry wind whips the sand about our feet. Before us lie two paths and Ahaz eagerly heads to the one on the right.
The path leads us down a winding route amongst boulders and short grasses. Although tired from the hot sun and the effort of our excursion, this is soon forgotten as we sight some far off dwellings below.
We quicken our pace excitedly paying no heed to Ahaz's quiet pleadings. We almost rush directly into the small hamlet but see some men leaving one of the huts. We quickly fall behind some rocks and wait for Johab, the slowest, to catch up.
It doesn't take long before these men pass us, talking in low voices, seeming not to notice us.
Ahaz finally gets up and motions us to follow. We move off the path and climb round the rocks to the back of the first hut.
Through the flapping gossamer in front of the open door, we can faintly see what appears to be a woman. She is dancing to some unheard music, her movements as delicate and light as I have ever seen before.
We all watch, transfixed as she swings first one way, then another. It is hypnotic and none of us wants to turn away. She stops suddenly and seems to look directly at us.
We duck down behind our cover in frightened horror expecting the shout of discovery. An eternity passes until I finally take the courage to look again.
She is gone, so I look around in panic to see if she is coming to find us. I call the others who too begin searching.
I see a figure now through the billowing curtain, but it isn't her. It is a heavy set figure who moves like a merchant, like one who has not carried much.
Where is she we wonder looking from one to the other? The man moves in and out of our view but she remains elusively hidden.
Once again we look about us already tiring of our game.
The sharp crack of a shutter closing draws our attention back to the house. The man is gone too and the interior of the house is totally dark, the only light now coming from the open doorway and its gossamer veil.
Then her naked form is silhouetted against the gossamer, drawing gasps from each of us as she steps back into the house, closing the door behind her.
The sun is past its zenith and we each have chores to do, so we go as quickly as we can to our homes.
I arrive home to find my mother is angry today. She cannot buy the things we need because the caravans are delayed once more. She sends me to talk to some weary travellers who have just arrived to get news of the roads leading to our city.
Dusk is drawing in as I approach the market place again. With the cooling of the day into night, fires are lit while people gather their robes about them as they settle to partake of their final meal for the day.
I see the travellers far off to one side already bedded down to rest. Not wanting to disturb them, I instead move to sit at the feet of an old Rabbi, just as some of the other boys have done.
He speaks to us of his travels, of the peoples he has seen and of their strange customs. We listen in awe as he gesticulates this way and that, singing yet crying, laughing then serious.
'The men are savages he says of one. 'The women are common and of the earth' he says of another. 'Tall idols are scattered everywhere' he says of yet another people and we all cry out in dismay at such sacrilege. But he is tiring fast so our group breaks up until finally I am alone with him.
My mother is calmer as I tell her about the Romans and their new taxes slowing everybody down.
My friends and I have no time to play today as each of us is busy helping our families.
Being alone, without them, in the great temple is a denigrating experience. The noise is even more deafening and the stalls seem to have doubled in size and quantity.
I look at this place of worship and wonder how these people can do what they do to such hallowed ground. I want to shout out and scream at them, but I am merely a boy, and what can a boy do in a man's world.
Instead, I begin moving through the stalls and watch the haggling, trying my hand every now and then, just to test the waters.
The new Roman taxes have made it hard for everyone and I soon see that my mother's wishes will be difficult to meet.
Some men are gathered round the place where leavened bread is prepared as they wait. Another well travelled Rabbi is there recounting yet other tales of other places, while taking a small share of each of the breads placed before the men.
He is in the midst of what appears to be a long and detailed story, when he stops abruptly and looks directly at me.
I thank him none-the-less and move to leave. There is something however that holds me there as I look deeply into the Rabbi's eyes and sense a deep wisdom come over me. It is as if the ages of man is coursing through my mind, and for a moment I am dizzy, ready to collapse. My eyes flutter, then open to a vast emptiness, a desert, an oasis, both as one. As quickly as my eyes open my eyes close. A rapid blink and the market is back but the Rabbi has gone.
I am frightened but strangely, not afraid.
There are many people looking up at me, each has some problem. Some appear to be blind, deformed, crippled, even crazy, all crying quietly for help and I, in despair, unable to understand or grasp what has become of me, reach up to cover my ears and eyes, yet it is strange to me, for I have become bearded, my hair is long and the young tenderness of my skin is tougher, rougher, aged.
I look down at these old robes, so long and worn, to the sandals that cover great feet, to similar men beside me, gently holding these people back.
A bright light hits my eyes and I blink them shut. For a moment I am as if suspended in nothingness and other voices pound about my head.
I open my eyes, and all is quieted. The people are gone and the many voices too, while the Rabbi continues to look at me, talking, not to me or to anyone in particular, but as if nothing has happened.
I am aware of nothing new. Around me things are as they were. The men do not stare. My clothes are as they have always been my face still clear of the signs of men while my sandals, although similar, cover much smaller feet.
The Rabbi rises to leave and gathers what he needs to him, never once taking his eyes from mine.
I must continue with my mother's work but I cannot forget what happened and I wander from stall to stall, unconsciously gathering all that she needs.
She scolds me for I have brought so little and spent so much. As punishment I must forage for those things I failed to buy. Then, as night falls and the cold collects about us, I call to my father for help in understanding what has so recently passed.
We flit in and out of the olive and date trees, hunt below the palms for fallen delights. We drink of the fresh water and the life giving rays of the sun. It is getting hotter and we seek shelter in the shade of these wonderful monsters.
It is Johab who sees it, for he is the slowest and wanders as if in a dream, with his head in the clouds, so it is this that takes his eyes to the lovely bird up high.
It seems to be hurt as it hobbles along the branch in one direction then another. The temptation is too great and the boys in us rush to collect as many stones as possible to throw at the unfortunate creature.
We take turns, each one of us dancing with joy as our stones come closer, bouncing off branches, the trunk, until finally, one, two, three stones hit the bird and it plummets to the ground, dead. We celebrate, dance about, poking at the lifeless corpse.
Finally we crouch down and look more closely, each one of us touching the quickly cooling body.
Eliahba is the most silent among us and there is a strange sadness about him.
I stoop to pick up the little bird and I cover it with my hands as they watch me. I expect them to laugh and tease me. Instead they remain solemn, waiting for what is to come, for they know me as I know not myself.
My hands open as if, by someone else. That cruelly broken creature is now whole and stirs until it awakes, testing its wings before surveying each of us and flying back to the tree above.
They come to me, my friends, and tap me lightly on the shoulder, embrace me a little but say nothing as we gather our things and return home.
There is much excitement here, more than most days. There is a large group of men and older women who are dragging another, quite beautiful woman between them.
I follow as they take her to the square, where she is thrown to the ground. She looks up at them and there is fear in her eyes. But there is defiance there too as she looks from one to one. Shortly her gaze focuses on me and her eyes plead. A deep, deep sense of pity comes over me and I move as if to be with her, except I am pushed aside.
A man who is harmed by another can inflict the same harm in return. Are they not both criminals then? Shouldn't he who harms be shown the error of his ways? Shouldn't he who is harmed not learn the power of understanding and forgiveness so that he might teach he who harmed him and all those others who wish harm on others?
But no. They all seem to hunger more and more for better things, even when they are fully satisfied.
I once gave a hungry man half my meal one day when my mother and I travelled to a neighbouring village. My mother smiled her approval, but a man next to us who didn't see her smile began to scold me.
The pain is much less now. The physical pain that is, those holes in my hands, those lashings about my feet and that gash in my side have become a throbbing reminder of my earthly state.
But that pain that touched me so many times when I was young, when I felt the injustice of my people against each other, still tears into me, more deeply even, than the centurion's lance.
Do I give myself so that they may be saved? Is my life nothing? There are so few of them who weep yet so many who sought my touch.